What File Type Is Best for Uploading From Saving in Premire Pro

This chapter is from the book 

Supported File Types

Clients throw everything at us. It'southward rare that they understand that certain formats aren't optimized for video editing. In their heads, video is video, photos are photos, and sound is sound regardless of where it came from.

It'south always best to piece of work with the least compressed file type, with the XDCAM files instead of the Flash file that was posted to the Web, and with the TIFF rather than the JPEG from your customer'southward smartphone. Realistically, we don't always go these choices. Fortunately, Adobe Premiere Pro handles near everything.

The full list of supported formats can exist constitute at http://adobe.ly/supportedformats.

For all supported formats, remember that they're imports, not captured footage. Adobe Premiere Pro merely links to them. If you move them (or squirt the card), you'll no longer have admission to the footage (it'll then be offline). You need to re-create or clone the desired media to your media binder at the operating system level.

Footage Files

Adobe prides itself on keeping upwards with the latest changes in photographic camera applied science in Adobe Premiere Pro. Every bit such, you lot'll frequently see "dot" updates available that add support for new cameras. The full listing of supported formats can exist found at www.adobe.com/products/premiere/native-tapeless-workflows.html. These formats can be read by Adobe Premiere Pro, providing access to their metadata. Some manufacturers provide drivers to mount their material on your system. Some besides have their own players or utilities that allow you to examine the footage, assign carte names, and adjust metadata. We strongly suggest that you lot visit your manufacturer's Web page and stay abreast of the latest information for your camera.

The major tapeless formats supported past Adobe Premiere Pro include:

• Any DSLR camera that shoots H.264 directly into QuickTime
• Panasonic P2
• Ruby-red ONE, RED Ballsy, and the Ruddy Mysterium X
• XDCAM, XDCAM EX, XDCAM HD 50
• Sony HDV (when shot on removable media)
• AVCHD cameras
• Catechism XF
• AVC-Intra Frame (50/100 Mbs)

Graphics Files

Adobe Photoshop is a graphics tool used by 98 pct of all video editors. Fortunately, Adobe has also integrated a lot of Photoshop'south image treatment features into Adobe Premiere Pro. You can import most formats, including JPEG, TIFF, PNG, and PSD files.

Here are a few cardinal points to keep in mind when importing graphics into Adobe Premiere Pro:

• PDF files won't work. Perhaps it'south because PDF files bridge multiple pages that they won't work. Information technology's a concept that just doesn't make whatsoever sense in the video world. Y'all tin open up a PDF in Photoshop and crop or extract images.
• Develop DNG/Photographic camera Raw files. Y'all should process any raw even so images using Adobe Lightroom or Photoshop. We recommend developing and saving 16-fleck TIFF files.
• Stick to RGB. Brand certain your graphics are in RGB mode. In Photoshop cull Epitome > Mode > RGB. In Adobe Illustrator choose File > Document Color Mode > RGB. CMYK and even Grayscale will crusade weird colour shifts or fifty-fifty incompatibility. Continue in mind that Illustrator files will be flattened.
• Go big if you want. Different other editing tools, which limit their graphics to 4000 ten 4000 pixels, you'll take greater range in Adobe Premiere Pro. The maximum still or movie image frame size that can exist imported is 256 megapixels. There's besides a maximum dimension of 32,768 pixels in either management. Of course, practise keep in mind that bigger images use more RAM and demand faster disk speeds to display.

Photoshop (PSD) files

One of the best features that illustrates how well the Adobe family communicate is the power to import a layered Photoshop file into Adobe Premiere Pro (a workflow nosotros explore in Affiliate 12). When y'all import a layered Photoshop file, the dialog in FIGURE 4.15 appears. Here you lot have four choices; each gives you a slightly different result:

Effigy 4.fifteen The Photoshop Import dialog. Good naming conventions in Photoshop equals ease of knowing what to import to Adobe Premiere Pro.

• Merge All layers. This pick brings in a single file and merges the layers based on what was visible when the file was saved in Photoshop. The new file will occupy one track in your Timeline panel.
• Merged Layers. This option allows you lot to bring in a single merged file. You lot can choose which layers you lot want to be visible. The new file too occupies just a single track.
• Individual Layers. This option lets you bring in each layer as an individual file. You can choose which layers y'all want to import.
• Sequence. This selection is like to the Individual Layers option. The difference is that you get a sequence that matches the Photoshop file's advent. This makes it like shooting fish in a barrel to animate layers with keyframes (run into Chapter 12). You can place the sequence as a nested item within another sequence.

If at any point you lot want to force a graphic to update in Photoshop (such as to adjust exposure or use the Clone Stamp tool to remove something), it's easy. Select the clip in your sequence or Project panel and choose Edit > Edit in Photoshop.

Illustrator (AI) files

Unlike Photoshop, Illustrator stores most graphics as mathematical vectors. The benefit is infinite scaling to size for specific applications, similar press or when working with vectors in Afterward Effects. No affair how much a vector file is scaled up or downwardly, the graphic remains crisp in Illustrator (or Later on Effects).

When you import a vector graphic from Illustrator into Adobe Premiere Pro, it will rasterize (be converted to pixels). If you scale it larger, the image will become pixelized. An Illustrator file comes across only as a "flattened" particular—all the layers are combined.

If you intend on scaling up the graphics more than 125 percent, it's best to open up them in Illustrator and adjust the calibration there. Simply choose Edit > Edit Original from within Adobe Premiere Pro to open the vector file. When yous're finished, shut the file and salve your changes. The linked file will update within Adobe Premiere Pro.

Audio Files

Pretty much every audio format y'all'll encounter will piece of work in Adobe Premiere Pro. You can toss in MP3, AAC (mp4), WAV, and AIFF. With that said, it is far better to piece of work with uncompressed audio files. Otherwise, you'll be forcing your system to work harder than necessary, which can atomic number 82 to dropped frames and drifting sync during playback.

The best way to lessen the stress on your computer'southward CPU is to transcode. It's by and large discouraged to waste computing power on dynamically converting sound that tin can quickly be converted into an uncompressed file. Y'all can transcode sound from either Adobe Premiere Pro or Adobe Media Encoder.

Hither's how to transcode in Adobe Premiere Pro.

1. Choose File > Import, navigate to Chapter Files > Chapter Files > Chapter_04_Media > Media, and import the MP3 file Quick Recording for Transcoding.
2. Select the file Quick Recording for Transcoding in the Project panel.
3. Choose File > Export > Media.

4. In the Export Settings panel ( Effigy 4.16 ), choose Audio Interchange File Format (AIFF) from the Format menu. Alternately, you can besides cull Waveform Audio File (WAV).

   

   Figure 4.sixteen The Consign Settings panel. Commonly, with audio, we choose 48 kHz for the sample rate (tradtionally, 44 kHz was an early digital setting).

   For AIFF there is only one preset selection. If you're using a Windows organization, traditionally, yous might choose the Waveform (WAV) sound file from the Format menu instead of AIFF.

5. Choose a location in which to save the file (such as your media drive) and click Consign. The file is transcoded to the specified location.
6. Choose File > Import and navigate to the recently exported file to reimport it into Adobe Premiere Pro.

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